{"id":1224,"date":"2020-01-25T18:52:34","date_gmt":"2020-01-25T18:52:34","guid":{"rendered":"https:\/\/utccismcc.utk.edu\/?p=1224"},"modified":"2020-01-25T18:52:34","modified_gmt":"2020-01-25T18:52:34","slug":"congratulations-are-in-order","status":"publish","type":"post","link":"https:\/\/cci.utk.edu\/ric\/2020\/01\/25\/congratulations-are-in-order\/","title":{"rendered":"Congratulations are in Order"},"content":{"rendered":"
\"Awkwafina,<\/a>
Awkwafina, Jennifer Lopez and Lupita Nyong’o were snubbed because Hollywood cannot comprehend the idea of a woman of color playing in a role that does not fit the racist stereotypical mold. Photo from Mashviral<\/a>.<\/figcaption><\/figure>\n

Presenter: \u201cAnd the Oscar goes to\u2026 another White actor or actress!\u201d<\/em><\/p>\n

It is the most wonderful time of the year\u2026 White Oscar nominations!\u00a0Announcers\u00a0Issa Rae (writer, producer and actress) and John Cho (actor and producer) announced 24 predominantly White Oscar categories Jan. 13 via live stream on\u00a0Oscar.com<\/a>.<\/p>\n

About \u00a0116,000 social media users, with 95,000 from Twitter, talked about the annual and prestigious awards show. The sentiment score was 59.7 percent positive and 40.3 percent negative.<\/p>\n

\u201cThe Joker\u201d (2019), starring Joaquin Phoenix, received 11 nominations (more than any other film from 2019) and in coveted categories such as Best Picture, Best Actor and Best Director. Streaming giant Netflix is gaining critical acclaim for their films such as \u201cMarriage Story\u201d (2019), starring Scarlett Johansson (a.k.a., The Asian Transgender Tree) and Adam Driver; and \u201cThe Two Popes\u201d (2019), starring Jonathan Pryce and Anthony Hopkins. Johansson is nominated for Best Actress, Driver and Pryce for Best Actor and Hopkins for Best Supporting Actor.<\/p>\n

Actually, Johansson received two nominations for Best Actress and Best Supporting Actress, while Lupita\u00a0Nyong’o played two completely different characters in Jordan Peele\u2019s \u201cUs\u201d (2019). So, where are the fruits of that labor?! Luckily, \u201cParasite\u201d (2019) and \u201cHair Love\u201d (2019) were nominated for Best Picture and Best Animated Short Film, respectively. The former is making history by being the first\u00a0South Korean film<\/a>\u00a0to be nominated for Best Picture and Best International Film. The latter, which Refinery29<\/a> labeled as \u201cbeacon of light amid so much controversy,\u201d is an ode to young Blacks girls and natural hair.<\/p>\n

Loved In Non-Challenging Power Roles<\/strong><\/h3>\n

While receiving a White Oscar nomination is supposedly a notable acting feat, the award show has received criticism for achieving their lack of racial diversity in various categories. For example, a Nigerian-British actress Cynthia Erivo, is the only woman of color nominated for an acting category thanks to her portrayal as Harriet Tubman in \u201cHarriet\u201d (2019). By the way, Erivo has a notable history of making derogatory comments<\/a>\u00a0towards African Americans. However, that is another conversation for another unfortunate time.\u00a0Her acting received much praise, but many other Black women and non-Black women of color were snubbed such as:\u00a0Lupita Nyong’o for \u201cUs\u201d (2019); Alfre Woodard for \u201cClemency\u201d (2019); Jennifer Lopez for \u201cHustlers\u201d (2019); Awkwafina for \u201cThe Farewell\u201d (2019); and Hye-jin Jang and Park So-Dam for \u201cParasite\u201d (2019). Of course, I am not saying Erivo does not deserve the nomination. However, once again a Black woman is nominated for portraying a slave. The Oscars love people of color; but only when they are suffering, dying in a bittersweet or tragic manner, placed in subordinated positions to Whites, playing the Magical Negro or POC trope, maintaining racial stereotypes, inaccurate\u00a0portrayals\u00a0or films that subconsciously preach colorblindness. Just to name a few: \u201cGreen Book\u201d (2018), \u201cRoma\u201d (2018), \u201cHidden Figures\u201d (2016), \u201cThe Help\u201d (2011), \u201c12 Years a Slave\u201d (2013), \u201cThe Blind Side\u201d (2009), \u201cBlood Diamond\u201d (2006), \u201cBabel\u201d (2006), \u201cThe Last Samurai\u201d (2003), \u201cGlory\u201d (1990) and many more. I almost forgot another category, having a White person play the White savior with a White, shiny cape, hair blowing in the wind and a glow surrounding them.<\/p>\n

\"Top<\/a>
The top trending words for the Oscar nominations revolves around the lack of racial diversity in their nominees. Photos from Adam Brown Social Media Command Center Social Media Studio<\/a>.<\/figcaption><\/figure>\n

For\u00a091 years<\/a>, the White Oscars has not learned their lesson on inclusion and diversity. While current White Hollywood considers themselves \u201cprogressive\u201d or \u201cliberal,\u201d they still permeate racist stereotypes in entertainment media. It is not like they do not have the mental capacity or capabilities to understand, it is just that they lack the empathy to understand. Part of immersing in empathy requires one to turn the mirror onto themselves (particularly White Hollywood) and ask, \u201cHow am I part of the problem?\u201d In White Hollywood\u2019s case, \u201cHow am I the oppressor?\u201d Let me drop some knowledge as to why this is happening.<\/p>\n

[tweet https:\/\/twitter.com\/MoveOn\/status\/1216850582440435712]<\/pre>\n

\nWhite Fragility<\/strong><\/h3>\n
In Robin Diangelo\u2019s \u201cWhite Fragility\u201d (2018), she addressed why she believes White progressives \u201ccause the most daily damage to people of color\u201d (p. 5). These type of White folk believe they are not racist (e.g., think of the White people in \u201cGet Out\u201d (2017)). You know, the type that says, \u201cI voted for Obama\u201d or \u201cI have Black friends, so I\u2019m not racist.\u201d Diangelo argued due to racial socialization, White people have this sense of internalized superiority to the point it can be subconscious. Even the slightest hint of racial stress (e.g., being White folk being told they did a racist action) can garner defensive responses. This is the definition of \u201cWhite fragility.\u201d<\/p>\n
\u201cThe smallest amount of racial stress is intolerable\u2013the mere suggestion that being [W]hite has meaning often triggers a range of defensives responses. These include emotions such as anger, fear, and guilt and behaviors such as argumentation, silence, and withdrawal from the stress-inducing situation\u201d (p. 2).<\/p>\n
An Exemplar of White Fragility<\/strong><\/h3>\n
Diangelo said progressive Whites \u201ccan be the most difficult\u201d because they like to demonstrate their arrival to nirvana of self-awareness and colorblind mindset. She elaborated on this concept in her chapter, \u201cThe Good\/Bad Binary,\u201d that only overtly racist White people are bad racist and being colorblind equates being anti-racist or a good White person. This is similar to the 2019 Oscars. The categories were racially diverse, \u201cGreen Book\u201d (2018), \u201cBlacKkKlansman\u201d (2018) and even Marvel\u2019s \u201cBlack Panther\u201d (2018) was nominated for Best Picture. The presenters were diverse (as it is this year) as well.\u00a0\u00a0However, Best Picture winner \u201cGreen Book\u201d (2018) was called out for its White savior narrative. Director Peter Farrelly and co-writer Nick Vallelonga, son of Anthony \u201cLip\u201d Vallelonga, did not thank the Shirley family until they spoke with journalists backstage, according to USA Today<\/a>. Nick confirmed Shirley did not want anyone to know about their conversations. However, Mahershala\u00a0Ali, who portrayed Shirley, did thank Shirley in his speech. Many were still upset about how the situation was handled. Additionally,\u00a0The Guardian<\/a>\u00a0reported Viggo Mortenson said before a screening of the movie,\u00a0\u201cFor instance, no one says \u2018nigger\u2019 anymore.\u201d Well, he did and it\u2019s racist.<\/p>\n
As stated in a\u00a02018 TIME<\/a>\u00a0article, \u201cDespite its early success with audiences, many critics were less enthusiastic, pointing out how the film fit a little too neatly into a history of white savior films, from\u00a0Blood Diamond<\/em>\u00a0[sic] to\u00a0The Blind Side [sic]<\/em>.\u201d<\/p>\n
This is an example of what\u00a0Diangelo discussed. The White Oscars is a symbol of White fragility at its finest.\u00a0The only reason why racial diversity was considered critical during the 2019 Oscars was because of the backlash and lack of ratings. White Hollywood did not want to be categorized as a bad White racist because that could ruin a career, except for The Asian Transgender Tree.<\/p>\n
There was no genuine motive in this decision-making process, only monetary.<\/p>\n
So, I guess\u00a0congratulations\u00a0are in order to all the nominees! I wonder if any will speak out against the lack of racial diversity this year. For more information, check out #OscarsSoWhite<\/a> via Twitter.<\/p>\n
The Oscars will air Feb. 9 at 9 p.m. EST on ABC.<\/p>\n","protected":false},"excerpt":{"rendered":"
Presenter: \u201cAnd the Oscar goes to\u2026 another White actor or actress!\u201d It is the most wonderful time of the year\u2026 White Oscar nominations!\u00a0Announcers\u00a0Issa Rae (writer, producer and actress) and John Cho (actor and producer) announced 24 predominantly White Oscar categories Jan. 13 via live stream on\u00a0Oscar.com. About \u00a0116,000 social media users, with 95,000 from Twitter, […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-1224","post","type-post","status-publish","format-standard","hentry","category-absmcc"],"yoast_head":"\nCongratulations are in Order - CCI Research & Innovation Center<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cci.utk.edu\/ric\/2020\/01\/25\/congratulations-are-in-order\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Congratulations are in Order - CCI Research & Innovation Center\" \/>\n<meta property=\"og:description\" content=\"Presenter: \u201cAnd the Oscar goes to\u2026 another White actor or actress!\u201d It is the most wonderful time of the year\u2026 White Oscar nominations!\u00a0Announcers\u00a0Issa Rae (writer, producer and actress) and John Cho (actor and producer) announced 24 predominantly White Oscar categories Jan. 13 via live stream on\u00a0Oscar.com. 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